If you’ve ever been on a gig where the sync source is sending a format Resolume doesn't natively "like," or if you're struggling with jittery playback because of framerate mismatches, I’ve built a tool to help solve this: SuperTimecodeConverter.
The Problem
Resolume is rock-solid when it comes to LTC (Linear Timecode), but it can be a headache if your source is outputting MIDI Timecode (MTC) or other protocols. Furthermore, if your timecode's framerate doesn't match your content's native cadence, things can get stuttery fast.
The Solution: SuperTimecodeConverter
I created this utility to act as a universal translator. It takes various timecode inputs and converts them into the clean LTC signal that Resolume expects.
Key Features:
Protocol Translation: Easily convert incoming timecode signals into LTC for Resolume.
Framerate Conversion: It can convert between standard production framerates (like 24, 25, 29.97, or 30 fps) on the fly. This ensures your visuals stay locked to their native framerate regardless of what the master clock is sending.
Visual Fluidity: By matching the timecode's cadence to your composition, you avoid the "micro-stutter" often seen when software tries to interpret mismatched sync signals.
Why use it?
It’s a lightweight way to avoid buying expensive hardware converters just to get a signal Resolume can read. It keeps your workflow flexible, especially when you're at the mercy of whatever the FOH engineer or the broadcast truck is handing you.
Check it out here:
https://github.com/fiverecords/SuperTimecodeConverterI’m looking for feedback from the community, so if you give it a spin on your next project, let me know how it goes!